Sunday, January 25, 2009
Friday, January 23, 2009
Sunday, January 18, 2009
Thursday, January 08, 2009
The Ride of Your Life

My pal David Rowe just released his latest ebook, The Ride of Your Life. I can't even pretend give anything like an objective review of this book since David's a buddy, some of my friends are profiled in the book and I'm in there as well. I can tell you that the book is focused on the mental side of riding distance. David presents a lot of practical advice and includes some great interviews with riders. Lon Haldeman sums it up this way:
"The Ride of Your Life is an inspiring book that will get you up off the couch and want to ride your bike. So much of the difference between exceptional riders and wannabes is the mental attitude and enthusiasm to go out and set new goals. This book is filled with practical advice from real people who share their passion for long distance cycling. During the final miles of a long ride don’t wish for fitness; wish for motivation. The Ride of Your Life is the kick in the pants you need to raise your cycling results to a new level."
One of the things David managed to do in this book is get me to recount one of the tales I've never gotten around to writing up, the story of my Raid Californie-Oregon ride. As part of the marketing blitz for this book (David is way more entrepreneurial than I am!) David created a freebie, preview edition of the book that includes the introduction, chapter one, and the interview with me.
You can read the preview edition here:
http://issuu.com/readytroride/docs/sampler_edition__peterson_
The full book has a bunch more stuff including interviews with Greg Paley, Jill Homer, Del Sharffenberg, Kitty Goursolle, and John Spurgeon. You can order the full book here:
http://www.roadbikerider.com/royl_page.htm
As I often say "keep 'em rolling." David has created a great blueprint to get you out the door and keep you rolling.
Kent
Tuesday, January 06, 2009
Bike Rims Wear Out
I'm starting to post some more mechanical posts on the shop blog. The first one of these is here:
http://bike-works.blogspot.com/2009/01/bike-rims-wear-out.html
http://bike-works.blogspot.com/2009/01/bike-rims-wear-out.html
Sunday, January 04, 2009
Tonight's Commute
Today never really warmed up and the snow begins gently, lightly and whitely about a half hour before the 5:00 PM time when Donald and I close up the bike shop. As I wait at the slow light at the turn from Ferdinand to Rainier Avenue, I see pavement already blanketed with a thin sheet of white. The cars are still mostly rushing, their drivers hoping to outrun the weather, but the flakes are gaining ground, gently piling patience onto all our paths.
I don't have the luxury of speed or an OPEC-fueled mirage of mastery to insulate me from this night. I have studded tires, layers of wool under nylon and a single, low fixed gear to get me home. I'm pretty sure it's all I need.
I turn off Rainier onto Alaska, a street that tonight looks like its namesake. In the slightly bluish beam of my headlight, the flakes plus my forward speed draw tracer beams more special than any Hollywood effect. One flake in five-thousand rotates just right and presents a perfect dazzling mirror. I remember Jack Eason's advice and look not at the light, but at the darkness.
Along the lake the snow seems undecided, the flakes are almost rain drops now. The road coating is silent beneath my wheels, as if a layer of white, whipped grease is soaking up every sound. But my carbide studded tires never slip, gradually passing on a confidence that conditions would not seem to warrant. But fixed-gear bikes are truthful beasts, they'll tell you the second you've lost your footing. Special Ed, the bike I'd build for nights like this, relays nothing but the Gospel according to Carbide. We're going home.
The climb up though Colman Park displays a dozens of perfect pictures, but with my camera layered deep inside my jacket, this night is too cold and dark for photography. Only living eyes can capture each shining facet of each switch-backed vista. I meet one driver on the Olmsted-designed road, I'm far to the right inching my way up as he's white-knuckling his way down. We probably both would prefer to have the road just to ourselves, but we each are going home.
After the park, and the crested view looking out over Lake Washington, I turn steeply down, slow pedal motions imparting caution from my legs to my wheels. I turn onto the bridge and roll eastward.
The temperature must be right at the freezing point and the wind is out of the south. This bridge floats on the water, with a low wall separating the bike path along it's northern edge from the lanes of oncoming automobile traffic. The side-loads from wind-shear prevent the construction of a taller wall and even on a clear night, the glare from westbound headlights is a challenge for eastbound cyclists. This is not a clear night and it's just a fraction of a degree warmer on the lake. The wind whips the sleet into needles. Under my helmet, I Yehuda my cap low on my brow, its brim forming a shield against glare and grim nature.
One native story holds that what we now call Mercer Island actually rests on the back of a giant turtle and that one night the turtle will submerge. Tonight is not that night, but the turtle is blanketed in white. I skirt the island's northern edge, thankful once again that geography gives me refuge from the worst of the winds. Hemingway understood that "It is by riding a bicycle that you learn the contours of a country best, since you have to sweat up the hills and coast down them. Thus you remember them as they actually are, while in a motor car only a high hill impresses you, and you have no such accurate remembrance of country you have driven through as you gain by riding a bicycle." I would add that you need not have a coasting bike to appreciate this truth and via the exercise of a daily commute, done in a wide range of conditions, one's appreciation of geographic and meteorologic factors become the most ingrained of knowledge.
The east channel bridge is the last clean shot the wind gets at me tonight and crossing over into Bellevue I know that the vast bulk of Cougar Mountain will keep the wind on different roads than my wheels. The rest of the ride is a little higher and a degree or so cooler. The snowflakes are large and white and hexagonal again.
I climb through Factoria and up the suburban northern streets of Cougar Mountain to Newport Way. Newport is a long, gentle downhill into Issaquah my morning warm-up and my evening reward. Tonight it is especially rewarding, on the whitened road I catch a rare glimpse of another traveler, a coyote running off in search of something.
I'm home now, Christine's concern melting into a smile as she sees me roll in the door. Snow has settled everywhere, not just inches on the street but a good half-inch on my helmet and my jacket. A big hug, warm food, warm clothes, and a warm drink all displace the damp cold that had been testing every chink in my mostly weather-proof armor.
It's good to ride and it's good to be home.
Keep 'em rolling,
Kent
I don't have the luxury of speed or an OPEC-fueled mirage of mastery to insulate me from this night. I have studded tires, layers of wool under nylon and a single, low fixed gear to get me home. I'm pretty sure it's all I need.
I turn off Rainier onto Alaska, a street that tonight looks like its namesake. In the slightly bluish beam of my headlight, the flakes plus my forward speed draw tracer beams more special than any Hollywood effect. One flake in five-thousand rotates just right and presents a perfect dazzling mirror. I remember Jack Eason's advice and look not at the light, but at the darkness.
Along the lake the snow seems undecided, the flakes are almost rain drops now. The road coating is silent beneath my wheels, as if a layer of white, whipped grease is soaking up every sound. But my carbide studded tires never slip, gradually passing on a confidence that conditions would not seem to warrant. But fixed-gear bikes are truthful beasts, they'll tell you the second you've lost your footing. Special Ed, the bike I'd build for nights like this, relays nothing but the Gospel according to Carbide. We're going home.
The climb up though Colman Park displays a dozens of perfect pictures, but with my camera layered deep inside my jacket, this night is too cold and dark for photography. Only living eyes can capture each shining facet of each switch-backed vista. I meet one driver on the Olmsted-designed road, I'm far to the right inching my way up as he's white-knuckling his way down. We probably both would prefer to have the road just to ourselves, but we each are going home.
After the park, and the crested view looking out over Lake Washington, I turn steeply down, slow pedal motions imparting caution from my legs to my wheels. I turn onto the bridge and roll eastward.
The temperature must be right at the freezing point and the wind is out of the south. This bridge floats on the water, with a low wall separating the bike path along it's northern edge from the lanes of oncoming automobile traffic. The side-loads from wind-shear prevent the construction of a taller wall and even on a clear night, the glare from westbound headlights is a challenge for eastbound cyclists. This is not a clear night and it's just a fraction of a degree warmer on the lake. The wind whips the sleet into needles. Under my helmet, I Yehuda my cap low on my brow, its brim forming a shield against glare and grim nature.
One native story holds that what we now call Mercer Island actually rests on the back of a giant turtle and that one night the turtle will submerge. Tonight is not that night, but the turtle is blanketed in white. I skirt the island's northern edge, thankful once again that geography gives me refuge from the worst of the winds. Hemingway understood that "It is by riding a bicycle that you learn the contours of a country best, since you have to sweat up the hills and coast down them. Thus you remember them as they actually are, while in a motor car only a high hill impresses you, and you have no such accurate remembrance of country you have driven through as you gain by riding a bicycle." I would add that you need not have a coasting bike to appreciate this truth and via the exercise of a daily commute, done in a wide range of conditions, one's appreciation of geographic and meteorologic factors become the most ingrained of knowledge.
The east channel bridge is the last clean shot the wind gets at me tonight and crossing over into Bellevue I know that the vast bulk of Cougar Mountain will keep the wind on different roads than my wheels. The rest of the ride is a little higher and a degree or so cooler. The snowflakes are large and white and hexagonal again.
I climb through Factoria and up the suburban northern streets of Cougar Mountain to Newport Way. Newport is a long, gentle downhill into Issaquah my morning warm-up and my evening reward. Tonight it is especially rewarding, on the whitened road I catch a rare glimpse of another traveler, a coyote running off in search of something.
I'm home now, Christine's concern melting into a smile as she sees me roll in the door. Snow has settled everywhere, not just inches on the street but a good half-inch on my helmet and my jacket. A big hug, warm food, warm clothes, and a warm drink all displace the damp cold that had been testing every chink in my mostly weather-proof armor.
It's good to ride and it's good to be home.
Keep 'em rolling,
Kent
Thursday, January 01, 2009
Three Hour Tour
By choice or chance or most likely a combination of both, most of my friends are bike people, people who are happiest when they are awheel or tinkering with what Christopher Morley correctly identified as the "vehicle of novelists and poets." Our devices capture mathematics in metal, casting abstract ratios in solid cogs and chains. Hard roads yield to soft rubber and the resiliency of captured air. Our legs don't pound, they spin. We need not walk or crawl, for we roll with a strength so smooth it seems like flying. Our simple machines, machines that cannot even stand alone without us, come to life when we balance on saddles and dance on pedals and reward us by taking us farther, faster, than we could ever go alone.
I get to ride such a machine three hours each day going back and forth to work. Friends, even some of my bike friends, don't quite get why I choose to live 18.5 miles from where I work and ride my bike back and forth. "Wouldn't it be easier to live closer?" they ask. "Or drive?"
Well, some of this is circumstance. When Christine and I first moved to Issaquah, I worked in Issaquah. My commute was about a mile and I often walked. The kids settled into school and we settled into this lovely little community at the foothills of the Washington Cascades. Over time, I got other jobs, jobs in the big city of Seattle and found I could bike there. I found I liked biking there. I found I loved biking there.
It's not about ease, it's about love but when you do what you love, it's easy.
Yes, it is easier rolling out the door on a sunny day in July than in a rainy night in November but the miles build and what begins as a choice becomes a habit and your habits become your character. I'm that character who rides everywhere.
I've learned a few things along the way. I've learned wool gloves stay warm even when they are wet. I've learned that a cycle cap keeps rain off my glasses. I know where eagles perch on Mercer Island and which patches of road ice up first. I know many of the shades of red and gold that the sunlight shows as it glints over the Cascade and Olympic mountains and I know every day will show me something new. I've changed flat tires under starlight and heard frogs singing in the moonlight.
I get three hours each day to think, to sing (badly) to myself, and write little essays in my head. I get to sweat and work up an appetite or take things easy depending on my mood. Some days I charge up the hills, some days I just survive them. But the ride is always a reward.
My daily three hour tour puts a bit of muscle on my legs and gives me a basis to launch out on longer trips. Riding Paris-Brest-Paris or the Great Divide, I measure not just in miles or kilometers but in memories of commutes, of tiny tours that add up to great distances. How many commutes does it take to reach to Brest and back, or from Montana to Antelope Wells? I know that big journeys are just small steps repeated and strung together.
People work for the weekend or slave for some retirement where they dream of doing what they want. I want to ride my bicycle and I get to do it three hours per day. As Bob Dylan said, "I can't help it if I'm lucky."
Keep 'em rolling,
Kent
Subscribe to:
Posts (Atom)